A Cooperative Zine Project
Contributors: Lili Sharp, Michael Sharp, Gary Barton, Jennifer Barton, Elise Boucher, Zac Ostraff, Josh Ostraff, Kaleb Ostraff, Hannah Russell, Melinda Ostraff, Joseph Ostraff, Harper Graham, Ron Linn, Fidalis Buehler, Jen Watson, Melonie Mowinski, Chris Lynn, Brian Christensen, Brian Cohen, Carla Jimison, Claudine Bigelow, Linda Reynolds, Michelle Rowley, Sally Weaver, Jenny Macfarlane, Joanna Kidney, Jorge Lucero, Madeline Rupard, Maddison Colvin
Walking with a Wilderness Mindset Collaborative Book Project
WWMC was a collaborative project initiated by Melonie Mowinski, Jen Watson, and Joseph Ostraff, exploring the role of walking in creative practice through diverse artistic perspectives. Their goal was to engage artists from various backgrounds—urban and rural, from different regions, ethnicities, and ages. There were fifteen participants.
INVITATION
Participating artists were invited to engage in a collaborative print project inspired by the Dada Exquisite Corpse game. Traditionally, Exquisite Corpse print exchanges involve single-page prints with defined points of connection and division. This project reimagined that format by using the horizon line as a continuous link in a long accordion-fold book.
Each artist’s horizon line started and ended at the same predetermined height, but what happened in between was up to them individually.
THEME / PROMPT
Begin with a walk in a new and unfamiliar place—one that challenges you while remaining safe. It could be a night hike, an urban stroll, a rural trek, or tricky terrain. Maybe a walk alone or with others.
Take note of your thoughts and actions. Stay attuned to your senses—observe how your internal landscape shifts throughout the journey. What choices do you make? What distractions arise? Do any unexpected events occur?
Many paths lead to the same destination, each offering a different experience. Some are direct, others winding. Some avoid obstacles, while others challenge and even terrify. Walking with a wilderness mindset means embracing unpredictability—accepting that while you may feel secure on a familiar forest path, a black bear could suddenly appear. Or reality could be jolted by an unexpected encounter, like seeing someone in full 17th-century regalia emerge around a corner during Carnevale in Venice.
Participants: Sarah Maker, Melonie Mowinski, Angelique Kopacz, Lili Hall Sharp, Kelly Roe, Michae Sharp, Stephanie Dykes & Sandy Bunvard, Matther Magruder, Jennifer Barton & Gary Barton, Melinda Ostraff & Joseph Ostraff, Steven Daiber
An announcement for a funeral 200 years in the future
Melonie Mowinski / Joseph Ostraff
We were part of an artist collective that met together in Reykjavik, Iceland in August 2019. This was the same month that a unique funeral was held. Oddur Sigurðsson, one of Iceland’s leading glaciologists, declared Okjökull glacier dead in 2014. He, along with anthropologists Cymene Howe and Dominic Boyer, put together a proposal to memorialize Okjökull with a plaque. In August, 2019 the anthropologists, Sigurðsson, and interested members of the public hiked to a point on Ok glacier to affix the plaque to one of its rocks. The inscription was written in Icelandic by author and poet Andri Snær Magnason, and includes a translation into English:
A letter to the future
Ok is the first Icelandic glacier to lose its status as a glacier. In the next 200 years all our glaciers are expected to follow the same path. This monument is to acknowledge that we know what is happening and what needs to be done. Only you will know if we did it. August 2019
The text concludes with “415ppm C02,” the ratio of greenhouse gases on Earth recorded in May 2019.
This message has had a deep impact on us. We are not residents of Iceland, but we reside in a country that is one of the leading contributors to global warming and the glaciers of Iceland are a strong indicator of environmental health on a global level. As mentioned, experts have predicted that if things continue as they are now that within 200 years all glaciers will be gone in Iceland. Vatnajökull is the largest so we are assuming that it will be the last to go. Inspired by this first funeral of sorts, it is our purpose to take the collages made from material collected in downtown Reykjavik in August, 2019 and add typography to create posters that will announce a funeral for Vatnajökull 200 years in the future.
We have made twelve sets of posters, two-hundred posters per set, one poster for each year leading up to 2219. It is contained in a box forming a book of sorts. Each August a poster announcing the death of Vatnajökull will be stamped with that month and year and then exhibited until the following year when the process will be repeated. Theoretically this performative activity will go on until the actual death of Vatnajökull or until there is a reversal in the current trend.
Included in the following collections:
Robert B. Haas Family Arts Library at Yale University Library, Yale University, CT
The Peace Factory, Tel Aviv, Israel
Book Arts Collection, Cleveland Institute of Art, OH
Ballinglen Art Museum Collection, Ballycastle, Co Mayo, IRE
Special Collections, J. Willard Marriott Library, University of Utah
Special Collections, Rice University, Houston, TX
Special Collections, Baylor University, Waco, TX
A Collaborative Book Arts Project
Manulua is the name of one of the oldest design patterns found in traditional Tongan bark cloth. Translated literally, it refers to two birds or two pairs of bird wings. The deeper meaning of this pattern is to unite two groups or families, forming a new bond.
In July 2010, a group of artists from Brigham Young University and a group of women artists from a traditional organization, a Kautaha Toulalanga, gathered in Vava’u, Tonga, for several weeks. The goal of this collaboration was to create contemporary works of art based on traditional methodologies. Knowledge was exchanged between the two groups as we explored Western relief printmaking and bookbinding techniques alongside traditional Tongan processes, including the making of bark cloth, the use of natural bark dyes, and the development of patterns found on completed Ngatu, commonly known as tapa cloth.
Over the course of this exchange, thirty-nine participants engaged in a collaborative process that resulted in the creation of twenty-nine books.
Melonie Mowinski
Project Description:
The 50 Card Project is a collection of limited-edition letterpress cards printed every week from Trump’s first Inauguration Day to the end of 2017. This project is directly inspired by the statement liberty and justice for all. The collection is housed in a custom-made enclosure. A book summarizing the project accompanies the work. The book is also available on its own.
”I made a card of FDR’s Four Freedoms to commemorate Inauguration Day. By the end of the three-color limited edition of 100 cards I decided to make a card every week for the entire year. Each card is printed with vintage letterpress type, cuts and/or other printing matrixes like linoleum blocks and the occasional polymer plate. Each card is my weekly practice to reframe events that were occurring in our country in a positive way. They also serve as a reminder about what is important and at stake in our country.
As part of my action, I sent the cards each week to members of the Trump administration, including Trump. I weave irony and subversiveness into each card through choice of quote, image and color.”
PRESS | 29 PRESS is Letterpress as a Public Art Project and Melanie Mowinski.
Read more about Mowinski: www.melaniemowinski.com
Brian Cohen
Title: Pierrot Lunaire
Year: 2007
Text: Pierrot Lunaire, 21 poems by Belgian Symbolist poet Albert Giraud, German translation by Otto Erich Hartleben, English translation by Brian D. Cohen
Prints: 21 etchings printed twice, in intaglio and in relief
Type: The original French is set in Bembo italic; the German in Gill Sans Light; and the English translation is set in Monotype Bembo; type cast, set, and printed by Dan Carr and Julia Ferrari of Golgonooza Letter Foundry
Paper: Magnani Pescia
Edition: 21 books in an aluminum box decorated by the artist and lined by Sarah Creighton
Price: $4,000
Description: A folio from the dark, caustic, and poignant 1912 song cycle Pierrot Lunaire by Arnold Schoenberg. Pierrot Lunaire evolved from a request in late 2002 from the Yellow Barn Music Festival in Putney, Vermont, for Cohen to create an etching for a performance of Arnold Schoenberg’s atonal song cycle based on setting of poems by the Belgian Symbolist poet Albert Giraud. The twenty-one pages in this book are single sheets—unfolded and unbound. Each page presents one of the 21 poems in its original French; in the German of Schoenberg’s song cycle; and in a new English translation by the artist. The etchings are printed twice from a single plate on each page—in intaglio and relief, a visual analogy to the sudden and startling reversals of emotional tone from tenderness to despair in the music.. In Cohen’s words:
As I listened to, read, and researched this expressionist song cycle from 1912, I realized an affinity to the work and its dark, caustic imagery. Over time I envisioned etchings for each of the twenty-one songs in the suite ... Images of the moon and moonlight recur throughout the songs, with symbols and characters from the commedia dell’arte. I sought to evoke the arid, brittle, crystalline texture of the piece, its chilly and eruptive luminosity. I saw in the character of Pierrot a pining Romantic, a sadistic trickster, a divine fool shifting between profound longing and mocking nastiness.
Actions for the Wind - Ron Linn
When You Leave Wendover - Joseph Ostraff
Ballycastle, Co Mayo House .1 - Joseph Ostraff
Mercy Side - Liverpool Side - Melinda Ostraff
Western Wild - Michelle Rowley
BEE IN HER BONNET: a print and artist book collection showcases the creative output of Massachusetts College of Liberal Arts and Brigham Young University students and faculty, who visited the Susan B. Anthony Birthplace Museum in Adams, MA and other Berkshire County Massachusetts cultural institutions from Oct. 6 to Oct. 11, 2016. During this period, students and faculty participated in an intensive exploration of the Suffragist movement and book arts in anticipation of the 100th anniversary of the 19th amendment.
ron linn
